Marbling Paper Patricia Lovett

The patterned paper ensured that slight damage due to constant or rough handling wasn t so obvious than if the cover had been plain.

Marbling paper patricia lovett. Intriguingly even the edges of the book block was sometimes marbled right. Retweet on twitter patricia lovett retweeted. See here for an explanation of the process by jemma lewis for the folio society. The patterned paper ensured that slight damage due to constant or rough handling wasn t so obvious than if the cover had been plain.

I was given some lovely indian hand made paper marbled with gold swirls which seemed appropriate for the end papers and also had some black and gold fabric with which i covered the boards for the book. Marbling paper gappy. Marbling of book edges. The patterned paper ensured that slight damage due to constant or rough handling wasn t so obvious than if the cover had been plain.

The paper is then carefully lifted and washed to remove excess colour lovett 2015. Professional scribe illuminator teach. Chambers anne 1986 marbling paper the practical guide thames and hudson practical guide miura einen 1989 the art of marbled paper zahensdorf ltd practical guide patricia lovett 2015 marbling paper. Each sheet of paper produced by marbling is unique and workshops developed a number of different patterns.

Intriguingly even the edges of the book block was sometimes marbled right. Acid free 230 gsm hp paper was used for the title page and colophon. Chair of the heritage crafts association. We read words in newspapers on advertisement hoardings and in handwritten correspondence.

Each sheet of paper produced by marbling is unique and workshops developed a number of different patterns. Intriguingly even the edges of the book block was sometimes marbled right. Each sheet of paper produced by marbling is unique and workshops developed a number of different patterns. Each sheet of paper produced by marbling is unique and workshops developed a number of different patterns.

Professional scribe illuminator teach lecture all over the world written dozen books a dvd on illumination. Patricia lovett is a professional calligrapher and illuminator and works from her studio at kent. The patterned paper ensured that slight damage due to constant or rough handling wasn t so obvious than if the cover had been plain. Each sheet of paper produced by marbling is unique and workshops developed a number of different patterns.

She has written a number of books on calligraphy and illumination and teaches and lectures all over the world. Intriguingly even the edges of the book block was sometimes marbled right. The patterned paper ensured that slight damage due to constant or rough handling wasn t so obvious than if the cover had been plain.